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Third Party Payor Audits – Impact on Physician and Health Care Provider Clients

Overview

A health care provider’s claims for medical services may be audited by payors (e.g., Medicare, Blue Cross Blue Shield of Michigan (“BCBSM”) and Medicaid) for a number of reasons.  Some audits are a result of random selection or some result from data analysis that reflects that the provider is outside the norm among their provider’s peers in the provision of services.  Audits may also arise from complaints by individuals including patients, disgruntled employees, and competitors about the provider’s billing practices

Regardless of the initial reason for the audit, once the audit process is in place, the health care provider is likely to be dissatisfied with the results.  Due to the negative consequences that often follow an audit, it is very important for the provider to appeal the audit results in conformance with the applicable appeals process.  Failure to do so can lead to large monetary paybacks, continuing problems with the ongoing submission of claims, re-audits, placement on pre-payment utilization review, suspension of Medicare payments, or termination/disaffiliation from the program.  Although many providers who receive audit results requesting small monetary payback amounts do not believe that it is necessary to exercise the appeals process, in many circumstances, it is in the best interest of the provider to appeal as the provider can continue to face problems with future claim submissions and re-audits.

The General Audit Process

The audit process varies depending on the third party payor at issue.  Medicare, BCBSM and Medicaid are the most active payors for auditing in Michigan.  In many cases, the provider becomes aware of the audit through notification requesting that the provider send copies of identified medical records to the payor or through notification that the payor will be performing an on-site review of medical records (which may or may not be identified before hand).  At this stage in the audit process, many providers will not seek the assistance of legal counsel.  It is, however, advisable for providers to contact legal counsel even at this early stage in the audit process.  Counsel may be able to discern what the primary issues will be in the audit and may have a better understanding of the direction the audit will take.  Counsel will also be able to direct providers from the start to best protect their interests.  For example, counsel will advise providers that under no circumstances should records be altered in an effort to correct deficiencies after a notification of audit has been received.  Such correction, which may be a natural reaction for some, may result in criminal and licensure problems for the provider.

When audits are performed on-site, health care legal counsel often advise their provider clients that they should have a trusted employee sit in the room with the auditors during the review and photocopying process.  Stories of original medical records being inadvertently thrown away, destroyed, or lost by auditors are not uncommon.  Further, an employee familiar with the record keeping system may be able to direct auditors to the records they need.  For example, some practices keep laboratory results in separate charts.  An employee familiar with the office’s organizational system may be able to decrease the number of erroneous denials.  As some providers have experienced, many auditors do not take the time to make sure they have carefully looked for all pertinent documentation and thus the records should be easily accessible for the auditors. In many circumstances, the auditors will hold entrance and exit interviews with provider staff.  Again, the individual(s) chosen to attend the entrance and exit interviews should be trusted employees.  Providers should be cautioned to take care before discussing claims decisions with auditors.  Statements made by providers in exit interviews, or any other time during the audit, may be utilized against a provider later.  Given that audits sometimes serve as the springboard for more serious sanctions, including criminal investigation, providers are best advised to be cautious when speaking with auditors.  Depending on the circumstance, some providers may not wish to speak with the auditors directly at all.

Upon completion of the record review, the payor will notify the provider that the claims are payable, partially payable, or denied.  The most common denials, by way of example, are denials based on lack of medical necessity to support the claim, denials based on insufficient documentation and denials based on up-coding.  Depending on the payor, when the payor sends a provider a post-payment audit denial letter, the letter will make an overpayment demand, provide a time frame for recovery of the overpayment and set forth the steps in the appeals process.

Of particular importance for providers involved in Medicare audits are the new changes in Medicare law that address repayment plans and timeframes for recoupment.  As part of the Medicare Prescription Drug, Improvement, and Modernization Act of 2003 (passed into law on December 8, 2003) (hereinafter referred to as “the MPDIMA”) drastic changes were made to the Medicare recoupment process.  Specifically, for those providers who request a Medicare Hearing of an overpayment determination, the law now in effect prohibits the Medicare Carrier from instituting recoupment on the overpayment demand until after a decision has been rendered by the Medicare Hearing Officer.  Thus, while providers were previously forced to begin the repayment process prior to obtaining any meaningful independent review, the new law does not permit recoupment to take place until after the first level of appeal has occurred.  In cases involving alleged overpayments of high amounts, this provision will prove beneficial for providers by allowing providers to properly work up their cases for the hearing officer level of appeal rather than rushing the process in an attempt to stop a financially devastating withhold process.   Some Medicare Carriers are not aware of the changes in the law and thus providers, with assistance of counsel, may need to seek intervention by the Regional Office and/or the Office of General Counsel that oversees the Medicare Carrier.  Legal counsel should also be aware that with regard to BCBSM audits, the recoupment process cannot begin until after exhaustion of the appeals process. Thus, once the provider timely begins the appeals process, BCBSM cannot begin recoupment until completion of the appeals process.

Providers and their counsel should also know that in many cases where the payor believes that the post-payment audit has uncovered potential fraud, it will not request a refund from the provider until the fraud issue is resolved.  Instead, it will refer the matter to the fraud unit.  Accordingly, providers may have reason for concern if an audit process has begun but no audit results are forthcoming.

After receiving the audit results, providers must be careful to timely exercise their appeal rights.  It is advisable for legal counsel to prepare the appeal paperwork to ensure that all requirements are met and that the appeal is timely filed.  For example, the Medicare appeals process requires that the provider request the first level of appeal (i.e., a Medicare Fair Hearing) within 180 days from the audit determination.  Providers and their legal counsel must also be mindful of the various statutory and regulatory appeal requirements that may apply.  For example, with regard to Medicare audits, as a result of the MPDIMA, as of October 1, 2004, providers are prohibited from presenting evidence at later stages in the appeals process if such evidence was not presented at the hearing officer stage.  If the amount in controversy threshold is met, providers dissatisfied with the results at the hearing officer level may then request a hearing in front of an administrative law judge.  After that, the provider may appeal to the appeal council and then ultimately to federal court.  With regard to BCBSM audits, the provider must first request an informal managerial level conference and then, depending on the nature of the issues, the Provider may then pursue either a contractually set forth arbitration process, circuit court or the insurance bureau review process.  Providers who choose to request a review and determination by the insurance commissioner after being dissatisfied with the informal managerial level conference have subsequent appeal rights to an administrative law judge and then to circuit court.

Audit Defenses

In addition to defending the audit on the substantive merits, which may include providing written medical summaries of the claims at issue focusing on the services that were denied and the medical explanation for why the services were medically necessary (this may involve retaining a physician expert in some cases), providers may also take advantage of other legal defenses including by way of example:

Challenging the statistical sampling in audits involving extrapolation (this will usually entail retention of a statistical expert);

In defending the audit, it is often useful to submit a “position paper/statement” setting forth the substantive and legal defenses.  This document is typically submitted prior to the hearing and can be used as a guide at the hearing and also sets forth the arguments and positions in writing so that the decision maker has all of the information clearly set forth for use before and after the hearing.  Legal counsel will be in the best position to draft the paper but will need assistance from the provider client with regard to the substantive merits portion of the document.

Summary

Undergoing a payor audit can carry serious consequences for healthcare provider clients.  As such, legal counsel should advise their health care provider clients that the best way to protect themselves against the negative potential impact of third party payor audits is to implement an effective compliance program.  Compliance programs can be useful in identifying problems and providing the opportunity to correct problems before an audit.  An effective compliance program should include substantive policies setting forth the various payor billing and documentation requirements as well as having a system in place to obtain and maintain the various payor policies, rules and guidelines.

The attorneys of Wachler & Associates, P.C., represent healthcare entities, providers and suppliers nationwide in all areas of healthcare law. Our healthcare attorneys and assistants have incomparable experience in the Recovery Audit Contractor (“RAC”) and Medicare audit appeals process. Our lawyers have successfully represented clients in thousands of Medicare appeals cases nationwide since 1980. http://www.racattorneys.com

Chelsea Art: the New Thirty-something Block Party

Young artists, plus young collec­tors, plus newly established gal­leries and the love of art equal the cultural phenomenon sweep­ing the Chelsea art district, as thirty-something art enthusiasts flock to galleries. Has the art world spawned a new generation of young, hip, savvy art aficiona­dos who are destined to become tomorrow’s well informed art col­lectors?

 

The Chelsea art community is boasting of the new involvement with the thirty-some­thing crowd. Texting your friends about the newest opening and exhibition is easy. With new artists and emerging galleries experimenting with various concepts and ideas, the diversity of Chelsea has now ca­tered to this new audience and market giv­ing new energy and vitality to art spaces for creativity.

 

Melissa Sarti, a 32-year-old graduate student from Hunter College stands on the corner of West 25th and 10th Ave. messaging a friend about an art exhibition this Thursday night. “Hey Carl, meet me at 6:30 at White Box,” she wrote. “There’s an awesome installation I want to see and some friends I want you to meet.”

 

The Chelsea corner where she stands seems to be a remote one with a taxi stand, a gas station and a crumbling warehouse just below an old, elevated railroad line. But she stands on the edge of the Chel­sea art world, the largest museum-like space of contemporary art in the world. The sidewalk crowd builds as she walks toward the gallery spaces. She passes a large glass gallery window and moves closer to get a better glimpse of the huge space within an old brick factory. Melissa peers through the window. She sees them, clutching glasses of champagne and wine, as the crowd of young guests inside mar­vel at a new contemporary painting.

 

From Manhattan to Queens, the young trendsetters are coming out in droves, and not just for the wine. Last month at a re­ception at Agora Gallery Mary Ellen Hen­derson and Daniel frequent the gallery. “I like to know what’s going on in the galleries in the neighbor­hood. It’s kind of like for business and pleasure” answers Christina Freeman, a photographer, when asked why she made a point to come to the reception. “We’re artists by nature; some of us are fashion designers, so we have an interest in art. We can truly appreciate it”.

 

Erin Walker and Bren frequent the galler­ies on a regular basis, so what keeps them coming back? “It’s a good chance for us to catch up with each other, and also look for inspiration”. However, The Chelsea galleries are not just for those looking to enhance their knowledge of up-and-com­ing design trends in the contemporary art world. “I like to be able to come out on the weekends, and be able to go from gallery to gallery to gallery. Make an afternoon of it and go to brunch. Get a group of friends together to do something more interesting and define my own taste in art”, offered Jennifer Grace, a publishing assistant from Wired Magazine.

 

New Gangs of Gallerists

 

Sheri Pasquarella, a young art consultant and private dealer, invested in a 27th Street space that once held the Tunnel nightclub until 2001. Several young art gallerists moved their businesses from other parts of the city to a series of old loading docks along the south side of the former Tunnel site. Wanting to create an instant destina­tion location, Pasquarella led the exodus of emerging-artist dealers to a promised land of barren street-level spaces between Eleventh and Twelfth Avenues. Oliver Kamm Gallery, Foxy Production, Derek Eller Gallery, Clementine Gallery, John Connelly Pres­ents and Wallspace are now located here. This has added up to be just one of the most concerted efforts at expand­ing Chelsea’s gallery scene since the art world began abandoning SoHo for the West Side in the mid-1990s.

 

New Art Networks

 

Social networks for thirty-somethings in the arts is on the upswing. The Young As­sociates is one of the new social art groups started in Chelsea by a museum space. The Chelsea Art Museum program looks to connect young people with New York’s emerging art com­munity, creating an energet­ic presence in the growth of the museum and a network of innovative thinkers within the arts. The group targets recent graduates and young professionals who would like to learn more about art in an intimate atmosphere that can be pro­vided by a smaller museum. They interact with museum curators, meet artists from New York and create a forum within the framework of the Chelsea Art Museum for networking with other young people in the field. They organize special after par­ties following exhibition openings, cura­tor-led art tours, gallery tours, talks with gallery owners, artist studio visits, invita­tional talks on trends in contemporary art, previews of auctions, and holiday parties.

 

Innovative Investors

 

Get out your auction paddles. A new generation of collectors, hedge-fund managers, technology entrepreneurs and others in their thirties have plunged into the world of contemporary art. During recent years, as world economies waned, prices in the closely watched top 2% of the contemporary-art market were up to 72%, according to London-based Art Mar­ket Research. In contrast, prices of top-tier works in the Old Masters and French Im­pressionist markets fell by 40% and 29%. Christopher Apgar, a young financial adviser, owns works ranging from Jean-Michel Basquiat, the graffiti artist who became an eighties phenomenon, to a silkscreen of Marilyn Monroe by Andy Warhol. His current hunt is for artistic creations by Gregory Crewdson, a photog­rapher whose work includes promotional shots for the HBO series “Six Feet Under,” and Vic Muniz, known for making sculp­tures of iconic figures out of chocolate and then photographing the pieces.

 

Most young and new collectors have little interest in the Old Masters that capti­vated the previous generation. Part of the reason for the aversion is the astronomi­cal prices they command. Contemporary works are less expensive and are more likely to double in value in a short peri­od. And today, a young collector doesn’t need to spend millions of dollars on a van Gogh to earn the respect of peers. They show they are in touch with the contempo­rary art world by buying up works of new contemporary artists and appearing in the gallery social scene.

 

And while new collectors may be ap­proaching the art market as if it were a marketing venture of capital investments, there is no guarantee that the payoff will be as lofty. The art market can be volatile. The collecting quirks and interests of con­temporary art lovers drive the market. If a few collectors love ocean scenes, prices rise while less favored desert paintings re­main bargains. Fluctuations can differ due to different collectors entering and leaving the art market at various times. The result is an artist may be “hot” for a few years and when prices plateau and rise again, another collecting generation seizes the artists’s worth. The art industry urges young people to buy for eprsonal enjoyment and not just a quick profit. The lifestyle of today’s new collectors is not about ball gowns and expensive jewelry. It is all about walking around your home in sweat pants talking with a friend on the cell phone about the contem­porary art plastered on the walls that you look at and appreciate. It is about comput­ers, blackberry’s, ipods, and ibooks. Most of all, it is about texting your friends for the next social gathering at a Chelsea art gallery opening on Thursday evening.

 

Donna Clovis is an acclaimed artist and finalist for the Pulitzer Prize in Feature Writing. Her artwork has been exhibited in art photography exhibitions at Agora Gallery in Chelsea, New York. Her articles are published in the art revue ARTisSpectrum Magazine